February 21, 2013

Login2Life now freely available on Youtube

Posted in Games, Metaverse, Second Life, Shows and Films tagged , , , , , , , at 6:22 pm by SarahAndrea Royce

I talked about it earlier on this blog. And here… and here. It was financed and first shown on public German television, so it was blocked to be made freely available until a year after premiere.

November 18, 2012

No matter how long you kept a low profile

Posted in Second Life, Shows and Films, User Experience tagged , , , , , , , , , , , , , , , at 6:16 pm by SarahAndrea Royce

As soon, as you give in to spent a bit more time in SL, the things to do can get a bit overwhelming. Only friday I was granted being a beta tester for my favorite SL car manufacturer Pro Street Cars, and started to test an update to their SUV “Commander” as official as well as as private vehicle.


Suddenly I found myself Ambushed in what appears to be GTA III with a car the quality of a GTA IV. Good news, the commander is bulletproof

And spent the night at a Jaynine Concert kicking of the Machinima Expo 2012.

Kickoff Machinima Expo 2012

Nice Manhatten jazzclub

But the next morning (well more like afternoon) as soon as I wanted to write my report I had to leave. Draxtor invited me over to the panelscreenings of the Machinima Expo.

Machinima Expo 2012

There were many (SL-)famous people there… including Superstar Flufee.

Then I had to miss a few panels because there was an interesting talk at Virtual Ability Island

Talk about complex disease diagnosis

And than made it offworld to livetalks on TEDyouth and finally back to the Machinima Expo primarily for the panels Draxtor, Olibith and Daniel Moshel (Login2Life) attended. Which made a fun fact. In a 24 hour time frame I met all people who I know of who played a role in the production of Login2Life (yet unamed, Pooky Amsterdam), Jaynine Scarborough, Draxtor, Gentle Heron, Olibith (who was in the WoW parts, but is a bit active in SL now, too) and producer Daniel Moshel.

Yet after all that I was exhausted and didn’t attend the after party. Yet today it goes on. This morning I continued the testing of the Commander

A SVU in its natural habitat

Yet Pro Street Cars doesn’t pay for gas 😦

And was actually a bit sad, because by the way of testdrive I explored many yet unvisited areas of rural Heterocera and it became obvious that Linden Lab doesn’t invest much at keeping the mainland in good shape.

B Roads

Actually, Nowadays an SUV in rural SL really makes sense. As you can see here, Gouverneur Linden has lost his interest in the roads and they decay. Some places there are even small hills on the road.

And now on it goes with the last parts of the Machinima Expos that will be finalized by Will Wright himself. Maybe if there’s a Q&A I will address the thing about B Roads and other issues I have with the maintenance of mainland.

Back for the Final

Back for the final behind the silver screen in Midnight Manhattan Reverie

Anyhow that was one hell weekend…

January 26, 2012

Firefly – and radical feminism – Part 2

Posted in Shows and Films tagged , , , , , , , at 11:53 pm by SarahAndrea Royce

I made a long introduction to this post, but now I finally want to start my analyses of Allectos analyses of Firefly.

She has four posts on the subject, one for Firefly as a show, two about the seriesOur Mrs Reynolds” and one for the final Episode “Objects in Space”.

She starts out with the characterintrodution of Zoë Alleyne Washburne , who is first shown to serve as Corporal under Sergeant Malcom Raynolds in the Unification War.
She writes:
“The first scene opens in a war with Mal and Zoe. Zoe runs around calling Mal ‘sir’ and taking orders off him. I roll my eyes. Not a good start.”
Uhm… so does everyone else who serves on his side in the battle of Serenity (after the Serenity valley, where it happens) and is pretty normal for military hierarchy, since he is the highest ranking soldier left.

Shure, you can go meta and see the whole concept of hierarchy, armies and war as symptom of patriarchal culture, but noone ever stated that Firefly plays in a universe that has overcome that. Actually pretty much the opposite. The outer rim territories, where a lot of the show takes place, has fallen back into a pretty much “western”-culture, complete with bible thumping and all (Thus Firefly is marketed as Spacewestern).

At the start of the regular time she is second in command again under Malcom Raynolds (Mal), Captain of the Fireflyclass ship Serenity. Allecto describes the following scene:

“The next scene is set in the present. Mal, Jayne, and Zoe are floating about in space. They come into some danger. Mal gets all panicky.
Zoe says, “This ship’s been derelict for months. Why would they –”
Mal replies, (in Chinese) “Shut up.””

Not nice, is it? Well, even if that was defendeble, as Mal says shut up to be able to hear what Wash, the Pilot, says, he doesn’t even say it to Zoë, but to Jayne Cobb who is the last to speak before the “Shut up” is heard and Mal clearly looks in his direction.

The problem is, here it starts to get fuzzy, because she bickers on that:
“So in the very second scene of the very first episode, an episode written and directed by the great feminist Joss, a white man tells a black woman to ‘shut up’ for no apparent reason.”
Well he doesn’t and there was an apparent reason (the important message from the pilot)

And she does shut up. And she continues to call him sir. And takes his orders, even when they are dumb orders, for the rest of the series.
Well yes, she is paid to serve as second in command, a job she is perfectly free to leave. Not only that, they are an extremely well reheased team that relies on each other blind, so even what occurs to others as dumb orders, Zoë has learnt that it is not always the case. Others haven’t and this creates a sad plot point later.

But wait, maybe there is a reason why Allecto thinks Zoë should be an eqal partner:
“They bought a Firefly, an old space ship, and Mal calls it Serenity, after the last battle they fought for the Independence.”
This is one more error and once more pretty misleading. Mal bought the ship, not they, and she actually mocks him quite a bit about it. Yes, pretty submissive obviously. Well the concept of humor is pretty much lost on Allecto, as she introduces the next female character, Kaywinnit Lee Frye (Kaylee), the mechanic of the crew.

And for the first time, she got it right, albeit still missleading:
“The next scene we meet Kaylee, the ship’s mechanic. <- Lookee, lookee, feminist empowerment. In this scene Mal and Jayne are stowing away the cargo they just stole. Kaylee is chatting to them, happily. Jayne asks Mal to get Kaylee to stop being so cheerful. Mal replies, “Sometimes you just wanna duct tape her mouth and dump her in the hold for a month.” Yes, that is an exact quote, “Sometimes you just wanna DUCT TAPE HER MOUTH and DUMP HER IN THE HOLD FOR A MONTH.” Kaylee responds by grinning and giving Mal a kiss on the cheek and saying, “I love my Captain.” "
If she says this is the next scene, she actually not just means the shot in which he says this, so its noteworthy that the three of them are stowing the cargo and its a conversation, not Kaylee chatting to them (which would be onedirectional). All are in a pretty good mood after just escaping with some valuable pray and its clearly an act of humor and not even by far a threat.

But that escapes Allecto
“What the fuck is this feminist man trying to say about women here? A black woman calling a white man ‘sir’. A white male captain who abuses and silences his female crew, with no consequences. The women are HAPPY to be abused. They enjoy it. What does this say about women, Joss?”

O, well, I forgot to mention it, in case you have not seen the show, Zoë is played by african american actress Gina Torres. Since radical feminism has a heritage in analysing powerstructurs and privilege, for her its obviously more degrading than for anyone else two have a white, male boss in a military style hierarchy. And its the doom of her marriage, at least according to Allecto:
“My white grandfather liked black women because they were ‘exotic’, and he did not, could not treat women, especially women of colour, like human beings. I grew up watching my great aunts, my aunty and my mother all treated like shit by their white husbands, the men they loved. So you will forgive me for believing that the character, Wash, is a rapist and an abuser, particularly considering that he treats Zoe like an object and possession.”
This may actually alienate those who know Firefly a bit. Wash, a rapist and an abuser, treating Zoe like an object? Actually Wash has a deep respect for his wife, to the point of being submissive and even stating once, that he is married to a wife who could kill him with his pinky.
What so deeply disturbs Allecto is his stated admiration of her beauty. Obviously a trait of a person must never be her looks because only objects have looks, thus admiring the beauty of your partner is turning them into an object. Well thats not exactly Allectos concept, its deeply rooted in radical feminism. Yet she states herself that this is absolutely not the only thing he is interested in when it comes to his wife:
“Wash and Mal fight each other for Zoe’s attention and admiration”
So he obviously is interested in what she thinks of him, isn’t he? Only thats a bad thing, because that means that she is Weadons “token black woman” to foil the manliness of the two males (Mel, her boss and Wash, her husband) that they can demonstrate this way.

Sorry Allecto, this is very, very construced, espacially if you watch the episode where that fighting happens. Wash is actually a bit jealous that Zoë and Mal have so much opportunity to bond in their missions comming back with stories while he is bound to the pilot seat as much as the attention Mal gets – he wants to earn his share, too and goes on a (simple) mission with Mal. They get captured, and only under the stress and preasure Wash begins to find out, what really bothers him. That she obviously obeys Mal, while he, her husband is, as I stated, more the submissive type. And that he mistakes her readiness to obeying Mel as a kind of sexual tension. Time goes on and they start to get tortured. To keep Wash awake, Mel fools him into thinking, theres really some sexual tension that would be served best if he sleeps with his wife.
Oh my, a feminists nightmare, to men trading a woman? Well it isn`t, Mel never meant a word and knows Zoë well enough to play together(!) with her on that so that both make that point clear.
Yet the two damselsprincess in mistress first must be safed by their knight in shining (oops sorry, that insists beauty and is objectifying) armour, Zoë.
“Zoe is not shown to have a personality of her own. She has no outside interests, no ideas or beliefs, no conversation with anyone other than Wash or Mal”
Well, she really is not seen that much besides the two, but you can hardly say she has no personality of her own. Her ideas and her beliefs are just pretty much in line with Mels, and she actually points out when those not align, and she has some discussions with Wash having a clear opinion when it comes to questions about her job or having children.

Wow. This has already reached nearly 1500 words… so there better be a part three. When her analysis hits a deep concern of radical feminism in form of Inaras occupation.

Firefly – and radical feminism – Part 1

Posted in Shows and Films tagged , , , , at 8:39 pm by SarahAndrea Royce

When I was reading TVTropes I so often came over mentionings of the show Firefly (and the follow up movie Serenity) that I finally had to watch it. I was not extremely hooked because it was cancelled premature after the first season and those pretty much left it with the character introducion only starting to built up the story arcs, wich were planned out over several years. While not ending with a cliffhanger (unlike Farscape after it was cancelled) the movie pretty much took most interesting arc and finished it (a bit premature). I think a lot of the idealization is about the “what could have been” factor but it was not bad at all. I’m espacially a fan of Summer Glau now, whom I previously only have seen as Cameron in Sarah Connor Chronicles where she plays a terminator, a machine without a real character.

The showrunner was Joss Wheadon of “Buffy, the Vampire Slayer” fame, which sume people assume to be a feminist work. I cat judge it, I only seen a few episodes when it came out and I thought of it as beeing a bit boring. After I liked Firefly, I will give it a try now.

But maybe strong female characters are enough to label a showrunner feminist and honestly if you read headlines like this:
Spike TV chief Albie Hecht fired for luring women viewers(2005)
or like that:
Warner Bros president of production Jeff Robinov has made a new decree that “We are no longer doing movies with women in the lead”.(2007) it might to be supposed enough to qualify, sadly.

However, calling a man a feminist has fetched the attention of radical feminist Allecto.

Now, you might have never heard of radical feminism but its pretty much the real life version of the TVTrope “The Straw Feminist”.

It began with some good work of second wave feminist in exploring the powerstructurs and the concept of privileges those that have them are usually unable to even recognize, mixed in with the message of a certain John Money that split sex (the body) and gender (the cultural part) and claimed the latter can be bent in either direction if started early enough, so that the traits associated with each gender itself are all a matter of upbringing. He did this, by the way, not to empower women in any form, but to “normalize” the butchering of intersexual children that can be raised to be whatever sex (optically) was constructed. This left a trail of traumatized intersexual persons, but albeit become a mantra of general feminism who do not see genderidentity (wich would better be labeled sexidentitiy) and genderrole seperat, the first being inborn and the latter being pretty much cultural.

Despite it was not exactly correct it was a very empowering message to women who could no longer be taught they are inferior to men and many made their way to show the world exactly that.

But Radical Feminism goes further. It pretty much sees any relationship between man and women only from the aspect of the still existing powerdivide and thus reacting by damning anything male, often to the point, where women who am in relationships to men are often called out for participating in the patriarchat. They see themselves as the most oppressed persons on the planet thus entitled to calling out anyone who doesn’t share their few as oppressing them if they call them out on something they say or do, which often enough is oppressing discrimation in itself.

And I will certainly get my share of that, when I analyse the analysises of Firefly and several episodes Allecto has done on her blog Gorgon Poisons in Part 2.